home
***
CD-ROM
|
disk
|
FTP
|
other
***
search
/
TIME: Almanac 1993
/
TIME Almanac 1993.iso
/
time
/
083192
/
08319938.000
< prev
next >
Wrap
Text File
|
1993-04-08
|
4KB
|
102 lines
REVIEWS, Page 71SHORT TAKES
CABARET: Berlin's Salute To America
As Americans again fret whether the U.S. can survive
changes brought by immigration, it is heartening to revisit the
songs of Irving Berlin, a Russian Jewish immigrant whose words
and music, from God Bless America to White Christmas to There's
No Business Like Show Business, prove how readily and deeply he
resonated with the spirit of his new nation. His work is
gloriously celebrated in SAY IT WITH MUSIC at New York City's
ritziest nightclub, Rainbow & Stars, on the 65th story of NBC's
building in Rockefeller Center. A cast of seven led by Kaye
Ballard performs 47 songs in just 60 minutes, yet gets the
flavor of each. A highlight: Manhattan Madness, a 1932 musing
on urban glitter and horror that could have been written last
week.
CLASSICAL MUSIC: Love at the Opera
She dresses in Madonna-style bras, strips on stage and
sings about justifying her love, but this songbird's debut album
will never make MTV. Lesley Garrett, the English National
Opera's untraditional lead soprano, presents a sumptuous
assortment of operatic arias on DIVA! A SOPRANO AT THE MOVIES.
Her finely colored voice with its firm vibrato is not elitist,
and she sings this collection of songs that have made their way
into films with a passion and abandon that would make Madonna
envious. Garrett's plaintive Voi che sapete, from The Marriage
of Figaro, and her flirtatious plotting in Quando m'en vo, from
La Boheme, are the answer for those looking for substance in
their tunes.
POP MUSIC: Twist and Shout
In the early '60s, between Elvis and the Beatles, two
corporate names ruled rock 'n' roll: Spector and Scepter. Phil
Spector's over-the-Top-40 sound has often been memorialized; now
THE SCEPTER RECORDS STORY is related in a 65-song set on three
CDs. Owned by Florence Greenberg, a New Jersey mom, the diskery
made its rep with girl groups (the Shirelles) and treble rousers
(the Isley Brothers, the Kingsmen). It then officiated at the
marriage of gospel and pop, with Dionne Warwick selling peerless
Burt Bacharach ballads. The set includes many savory hits and
some obscure gems: Bacharach's prime plaint I Just Don't Know
What to Do with Myself and a King Curtis tune called Potatoe
Chips (Dan Quayle take note).
CINEMA: Big Town, Big Think
Making his rounds on New York City's night streets, a drug
dealer named John LeTour (Willem Dafoe) feels doom gathering
around him. The cops are taking an interest in him, one of his
best clients is self-destructing, his boss (Susan Sarandon) is
threatening to leave the trade, and an ex-lover (Dana Delany)
will have nothing to do with him. In LIGHT SLEEPER, bad things
happen to not-so-good people. Writer-director Paul Schrader
(American Gigolo, Patty Hearst) likes to work the margins of
American life, and he does so with a certain style. Also with
literary pretentiousness and moral portentousness. But the point
here is obscure. One keeps hoping he will relax into genre
filmmaking, where a crime is just a crime, not an occasion for
woozy philosophizing.
BOOKS: Iris in Wonderland
Siri Hustvedt is an impressive new talent. THE BLINDFOLD
(Poseidon; $20), her series of tales about an alienated young
woman in New York, draws the reader compellingly into the odd
consciousness of the narrator and heroine, Iris. Hustvedt's
characters are hypnotized by their own dangerous, barely
understood impulses. A writer hires Iris to describe the
possessions of a girl he thinks he may have murdered. In a later
story, Iris dons men's clothing and spends months prowling
downtown Manhattan at night, as though drawn onward by the Imp
of the Perverse. Relationships, like everything else in
Hustvedt's world, are lively, unpredictable, full of mysterious
emotion: the dark side of everyday life.